The Day That Music Died

Published / by Jehangir

I love music.

Any kind.

Yet if all the music in the world, except that of Nusrat Fateh Ali Khan [NFAK] (and trad Kashmiri music ;-), were suddenly to vanish I would not mind at all.

One of the greatest regrets of my life is that I never could attend a live concert by NFAK even when I could have. I guess I was hoping for him to perform in Kashmir – ecstatic sufi poetry in his divine voice in Kashmir would have been an experience to cherish forever. There could have been no finer backdrop for his mesmerising voice than the exquisite beauty of a land steeped in sufi mysticism.

When I am really in the mood for music, a typical session invariably starts off with NFAK, moves on to Aziz Mian then switches over to Kashmiri in Hassan Sofi's ethereal voice, and finally to traditional kashmiri folk with Rashid Hafiz and Ghulam Ahmed Sofi. My sensibilities are not tuned enough yet to be able to appreciate Sufiana Kalam.

Back to Nusrat Fateh Ali Khan. He intially achieved enormous popularity with his magnificent qawwali singing but by the time he died his fame had traversed continents as one of the greatest crossover artists of world fusion music. Singing Buddha, as he was known in Japan, is an especially apt description of his live performances.

Singing Buddha

From Wikipedia : Nusrat's music invites us to eavesdrop on a man communing with his God, ever so eloquently. He makes the act of singing a passionate offering to God. But we do not merely eavesdrop. The deepest part of Nusrat's magic lies in the fact that he is able to bring our hearts to resonate with the music, so deeply, that we ourselves become full partners in that offering. He sings to God, and by listening, we also sing to God.

Time Magazine listed NFAK as one of the Top 12 Artists and Thinkers in their 60 Years of Asian Heroes issue. From the article: Khan had made the rich religious poetry of the Sufi tradition even more magical, bringing words and music together in an ecstatic celebration of the divine. To listen to him was to hear the harmony of the spheres.

National Geographic World Music commented on the …nearly superhuman vocal abilities, extraordinary improvisational skills or the enduring love that millions of fans lavished upon Nusrat Fateh Ali Khan. The same article also reveals how NFAK agreed to all kinds of projects and collaborations, overlooked unauthorized releases – and even sang into personal tape recorders for just about anyone who would ask, though he knew that those bits would probably soon be pirated – with the justification that any recording, "legitimate" or not, would help spread the Sufi word of universal peace and love. Face of Love with Eddie Vedder and Gurus of Peace with A R Rahman are prime examples of this foresight.

August 16 marks the 11th death anniversary of Nusrat Fateh Ali Khan.

R.I.P, Ustad.

Of Shrines and Sadhus

Published / by Jehangir

Last Friday I was waiting to pick up my kids outside Burn Hall School when a shining object caught my eye. It was a fearsome trishul in the hands of an ash-smeared lioncloth-clad sadhu with dreadlocks and flowing beard. He was striding towards the Durga Nag temple followed by a companion.

Just across the road from my car, the sadhu suddenly halted mid-stride and turned towards the Hazrat Syed Yaqoob Sahib shrine. I initially thought that he was waiting for his companion to catch up but something about his stare made me sit up and take notice. For a while he kept staring intensely at the shrine till the azaan for Friday prayers burst forth from the mosque loudspeaker and the sadhu shuddered like a person waking up from a spell. All of a sudden he folded his hands and bowed respectfully towards the shrine before heading off again with the same purposeful stride.

Somehow this incident made an impression upon me, especially against the backdrop of the sectarian violence of the past few weeks, and here I am blogging about it.

Of Sufism And Kathak Dancers

Published / by Jehangir

Music has the power to transcend borders, faith and even time itself. One of the greatest regrets of my life is that I never could attend a live concert by the late Nusrat Fateh Ali Khan. Recently a much-hyped concert was held in Kashmir by a pakistani rock band – Junoon. I did not attend the concert for two reasons. First of all, Junoon without Ali Azmat is like Coke without the fizz – absolutely flat. Two, the idea of attending a music concert surrounded by barbed wire and jackboots is somehow disconcerting. No pun intended.

However, that is not what this post is about. It is about the fact that the ‘hire-for-your-cause’ Junoon like to call themeselves a ‘Sufi Rock‘ band. Marketing whiz-kids have adopted ‘Sufi‘ as GenX catch-phrase and this disturbing trend has been picked up and amplified by the media who are now billing every wannabe as a ‘Sufi This‘ or ‘Sufi That‘.

Someone like Kailash Kher, a self-professed follower of a form of yoga called ‘Nirguna Upasana‘, is commercially savvy enough to title his album “Sufism Simplified“, all the while maintaining that he is not a sufi singer – probably to keep the saffron brigade off his back. This crass commercialisation has been taken to its extreme by a dancer who apparently performs and teaches something called ‘sufi kathak‘ commercially, while making statements like “Sufi Kathak is not a mechanical dance form that anyone could learn, one has to learn the nuances of Sufi thought to be able to carry it through panache“. If only it were that easy. All this from a website offering VCDs for sale and press kits for download.

Sufism is the mystical or inward dimension of Islam. Just as there can be no Yoga without Hinduism, no Zen without Buddhism – there is no Sufism without Islam. The term Sufi itself means a muslim mystic. At its very basic level Sufism denotes an absolute detachment from wordly desire in search of the ultimate truth. Unfortunately the mass marketing juggernaut is distorting/transmogrifying ‘Sufi‘ into a catchphrase for quick and easy money.